மலேஷியா to அம்னீஷியா
Distribution
Vaibhav Reddy
Arun
Vani Bhojan
Suja
M. S. Bhaskar
Mannaru
Riya Suman
Bhavana
Sachu
Grandmother
Karunakaran
Prabhu
Mayilsamy
Watchman
Films recommandés
⭐ 6.0Patti Sollai Thattathe
A man marries against the will of his grandmother and has to leave home. When he gets a chance to reconcile, he makes another mistake. He hires a baby to show as his own so as to please the old lady.
⭐ 5.0The Peasants
A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.
⭐ 5.6Work
Unable to move on from a breakup, Gabi, a queer Latina freelance editor, impulsively drops into an old job at an underground lap dance party, where she unexpectedly runs into a friend from her past.
Six: Inside
Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.
⭐ 10.0Meatball Machine : Dissection
Documentary on the Japanese saga Meatball Machine. Interviews, Archive Images, Retrospective and Analyzes tell the formidable story of a saga that is as gory as it is inventive.
⭐ 5.0Hold up family
Suite à l'incendie de sa maison, Bernadette James décide de quitter l'Ecosse avec ses quatre enfants en bas âge pour Londres. Elle espère y retrouver son mari, qui l'avait abandonnée quelques années plus tot. En attendant de retrouver une situation stable, elle a besoin d'argent. Elle se lance dans des hold-up de supermarchés, de banques. C'est le "James Gang".
⭐ 6.0Souls of the Damned
A group of witches gain power of one man's suffering through horrific nightmares.
⭐ 3.4Garden of the Dead
Sous l'emprise d'une substance toxique, un petit groupe de prisonniers, abattus par leurs gardiens lors d'une tentative d'évasion, reviennent à la vie pour s'en prendre aux vivants...
⭐ 4.0The Off-Handed Jape... & How to Pull It Off
The Off-Handed Jape is an afternoon’s lark made by Nelson and his artist friend William Wiley. The two men perform whimsical actions and poses for the camera, then recontextualize this imagery by improvising their own commentary on the action at a later time. —Andy Ditzler. Preserved by the Academy Film Archive in 2002.