Clear Cut
Distribution
David Bigelow
David
John Bigelow
Kenny's Dad
Jacobus De Bock
School Teacher
Evan Phillips
Kenney
Debbie Deckert
Kenny's Mother
Matt McColeman
Films recommandés
⭐ 5.0Algonquin Canoe Trip
A group of young boys are sent out on a canoe trip where they are left with only camping equipment traditionally used from the 1980s.
⭐ 7.4Dune
Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.
⭐ 5.6Red
Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.
⭐ 3.6Not Found - Forbidden Videos Removed from the Net - Best Selection by Staff Part 6
From this popular series that counts 37 works, the 6th compilation of episodes carefully selected by the staff.
Hey Qween - Holigay Special
Date inconnueLet’s get SICK’NING for the Holidays! RuPaul’s Drag Race legend Laganja Estanja is here for Hey Qween’s Very Green Christmas Special!
⭐ 6.0Strange Object
An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.
⭐ 4.6Follow_dead
Après qu’Adam a répondu de façon agressive à des trolls d’Internet, un mystérieux profil intitulé Dear_David « follow » ses réseaux sociaux. Dès lors, il commence à ressentir une présence maléfique dans son propre appartement. Après une série d’évènements de plus en plus terrifiants, Adam est persuadé qu’il est hanté par le fantôme d’un jeune garçon prénommé David. Que veut David ? Et jusqu’où ira-t-il ?
⭐ 5.9Shimmy: The First Monkey King
Shimmy, a monkey newly discover superhero powers and learns how to control his extraordinary transformative abilities and prevent powerful demonic forces from sending the universe into chaos.
Film
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
