Make the Economy Scream
Films recommandés
⭐ 4.216 December
Saturday. Nightfall. The ball travels quickly across the court as the players move to take advantage of gaps in the defense. Lucía, twenty-five years old, leaves handball training and sets off to pick up her brother under the lights of a city she thinks she knows.
⭐ 7.3Psalm II: Walking Distance
Imagine a rusted, medieval film can having survived centuries, a long lost D. W. Griffith / Georges Méliès co-production, a film left to us from the Bronze Age, a time when images were smelted and boiled rather than merely taken, when they poured down like silver, not to be fixed and washed, but free to form and coagulate into unstable, temporary molds, mere holding patterns of faces, places, and things, shape-shifting according to whim.
⭐ 6.0Dharmaveer 2
Explores Anand Dighe's life, tracing his political journey and capturing the essence of his impactful legacy as a prominent figure.
⭐ 8.0Stripped Down: The Making of ‘Anora’
Making of documentary surrounding the production of ‘Anora’
⭐ 9.5Skin of a Mandarin
The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.
⭐ 5.0Views on Trial
The demonic Nicholas Diabolus is put on trial accused of interfering with people's lives.
⭐ 6.3Unchained: The Untold Story of Freestyle Motocross
The definitive, adrenaline-soaked story of the birth and boom of the most extreme sport on the planet: Freestyle Motocross.
⭐ 6.0The Third Part of the Third Measure
The Third Part of the Third Measure creates an encounter with the militant minimalism of black avant-garde queer composer, pianist and vocalist Julius Eastman. The film focuses on what The Otolith Group describe as ‘an experience of watching in the key of listening’, invoking political feelings of defiance and the collective practice of movement building that participates in the global struggles against neoreactionary authoritarianism. The Third Part of the Third Measure invites viewers to attend to exemplary ecstatic aesthetics of black radicalism that Eastman himself once described as ‘full of honour, integrity and boundless courage’.
