ಮಿಂಚಿನ ಓಟ
Distribution
Shankar Nag
Katte
Anant Nag
Tony D'Souza
Loknath
Prabhakar Rao
Ramesh Bhat
Inspector Nayak
Priya Tendulkar
Manju
Mandeep Roy
Constable Thimmaiah
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⭐ 10.0Janma Janmada Anubandha
Avinash, a young man, is troubled by the memories of his past life and decides to investigate the truth behind it.
⭐ 6.2Box
The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..
⭐ 4.5Box
A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.
12
After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.
⭐ 3.5Fate
Serial killers have plagued the American landscape for decades, committing gruesome atrocities, and providing some tough cases for criminal investigators to crack. Two detectives are on the trail of a bizarre murderer intent on slaughtering his victims, then using them as real-life puppets in a tale that he is trying to tell.
⭐ 8.7Flow
Respirations, odeurs, chaleur, vent, et air, par nature invisibles, prennent chair. Comme par un effet d’inversion, les autres objets et les êtres qui peuplent le monde sont devenus invisibles à l’œil nu. Ce sont ces courants d’air qui vont révéler leur présence, en entrant en collision avec eux, en prenant vie sous l’action de leurs mouvements, ou en glissant sur eux.
13
The film is a continuous time-lapse with multiple exposures of the sunset from the same angle and position on 16mm film. The shoot was done in a span of 5 years. The title 13 is because the time-lapse has a 13-second interval per frame.
