ローラ
Distribution
Masako Ono
Showgirl
Yoko Ran
Showgirl
Shisuko Arisugawa
Showgirl
Films recommandés
⭐ 6.21941
In December, 1941, using music by Stravinsky, this film provides a reaction to the Japanese attack on Pearl Harbor. An egg is smashed by a hammer; red color with white and then blue dominates the frame. Blue paint runs; small bulbs float. The dark colors spread. White, red, blue, and black dominate the frame. Then comes fire. The bulbs burn and break. A broken bulb's filaments are exposed.
⭐ 8.0Stripped Down: The Making of ‘Anora’
Making of documentary surrounding the production of ‘Anora’
⭐ 10.0All About Mahmoud Darwish
Mahmoud Darwish was a Palestinian poet and author who was regarded as the Palestinian national poet. He won numerous awards for his works. Darwish used Palestine as a metaphor for the loss of Eden, birth and resurrection, and the anguish of dispossession and exile.
⭐ 9.1The United Monster Talent Agency
A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
⭐ 6.5The Last Love of Laura Adler
Yiddish live theater, a formerly lively theatrical form, is barely sustained by a few aging aficionados and its loyal but aged audience. Laura Adler is a big star of one of these troupes. She is attractive, middle-aged and quite content to spend her days performing obscure theater in her backwater town. One day, however, she learns that she is being considered for a part in a major U.S. film, and, while she is absorbing that news, she has an affair with a young man. Later, when she learns that she has terminal cancer, she decides to spend her remaining days onstage with her theatrical friends and family.
Crazy Partners
"Your colleague has more testosterone than Mike Tyson," Kozack is told and - even worse - has to admit that his interlocutor is right. He was always the alpha male on the beat! But since the BKA officer Mia von Weitersdorf and the Berlin police officer were welded together to form a team against their will, she shows him where the hammer hangs. Kozack had blown up an undercover operation for which Mia was responsible. A colleague was killed, a suitcase full of money and the designer drug "Green Devil" went missing. Mia and Kozack are put on leave - and continue their investigation together. After some initial friction, they realize that they complement each other very well: Kozack knows his way around the Berlin scene and Mia has a quick wit and excellent contacts "at the top". Kozack has to realize that Mia is an equal partner - a hard blow for the macho man.
Olympus vacuum
A powerful Argentine political film stands on the figure of an outsider intellectual, Sebreli, but manages to transcend it, he becomes a touchstone to go through Argentina and its dilemmas, through this country that is proud of almost everything it should be ashamed of. From national icons like Gardel, Evita, Che, and Maradona the film dialogs with recent Argentine history and it does so with extraordinary energy, supported by a rarely seen use of all kinds of archive material in an almost Dionysian state of sampleadelia. The film arrives to a surprising reflection on nationalism, demagogic governments and delusions of unanimity; problems that are common to emerging societies that cannot find their ways to a freer and more egalitarian society.