

L’Incinérateur de cadavres
M. Kopfrkingl est un employé modèle. Incinérateur de cadavres de son état, il exerce son métier avec amour. Il aime ses morts, il est heureux de libérer les âmes et souhaite, par amour de son prochain, a tous une mort prochaine. À la veille de la Seconde Guerre mondiale un ami nazi le persuade qu'il doit avoir du sang allemand dans les veines. Et M. Kopfrkingl se prend à rêver d'une race pure. Son crématoire va pouvoir tourner à plein régime.
Distribution

Rudolf Hrušínský
Karel Kopfrkingl

Vlasta Chramostová
Lakmé / Dagmar
Jana Stehnová
Zina
Miloš Vognič
Mili

Ilja Prachař
Walter Reinke

Zora Božinová
Reinkeová

Eduard Kohout
Bettleheim

Jiří Lír
Strauss

Dimitri Rafalsky
Fenek
Jan Vlček
Vrána
Václav Halama
Pelikán

Jiří Hálek
Rámar Holý
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6-grader Kolya Gerasimov discovers a time machine in a basement of an old house in Moscow and gets transferred into the 21st century. There he is allowed to look around. Accidentally, Kolya witnesses two space pirates who arrive from Saturn and later try to steal a device called a "Mielophone" (which can read thoughts) from Alisa Seleznyova - a girl that performs experiments with this device and animals. Kolya manages to save the device from the pirates and brings it back to the 20th century. But both pirates and Alisa get there too. Alisa knows where Kolya studies but doesn't know what he looks like. Pirates saw Kolya, but don't know anything about him. Written by Boris Shafir
⭐ 6.5Contes cruels de la jeunesse
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⭐ 6.4West Indies ou les Nègres marrons de la liberté
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⭐ 7.0La Fleur de l'âge
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⭐ 6.5Wild Flowers
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Film crew on the road: Director (Jaroslav Plesl), his Producer (Simona Babcáková), and their Director of Photography (Jirí Vyorálek) and Sound Arist (Johana Svarcova). Starving artists who already have a number of films to their names, Czech Lion award-winning films, excellent reviews and have been screened at numerous festivals, but they don't have audiences. Their next collaborative effort - the Director's lifetime dream - is quickly becoming oblivion because he failed to win a grant, which means it won't be made. And so the frustrated Director and his colleagues await their chance among record-holders of curious disciplines such as crawling with a squash racket or collecting four-leaf clovers. How will the collision of these two worlds end? What will the Director's next film be about?
