Роковые яйца
Distribution
Андрей Толубеев
Rokk
Нина Усатова
Manya
Олег Янковский
Persikov
Ирина Сенотова
Elena
Татьяна Кравченко
Maria
Амалия Мордвинова
Gella
Виктор Павлов
Angel in boots
Гарик Сукачев
Pankrat
Alexandre Marine
Ivanov
Семён Фарада
Gloomy
Сергей Гармаш
Vasya
Алексей Жарков
Schukin
Films recommandés
⭐ 4.1Expulsion from Paradise
Philosophical movie, staged at the least philosophical environment imaginable: A closed scenery of a nudist spot, where some hired Czech stuff is making a plain erotic movie for a rich Russian producer. Nothing in this movie is what it seems to be at the first superficial glance.
⭐ 6.0Bringing Up Cruelty in Women and Dogs
A single woman's and her dog's personalities are affected by tough life circumstances.
⭐ 5.0The Peasants
A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.
⭐ 3.4Garden of the Dead
Sous l'emprise d'une substance toxique, un petit groupe de prisonniers, abattus par leurs gardiens lors d'une tentative d'évasion, reviennent à la vie pour s'en prendre aux vivants...
⭐ 8.0Le teckel
À poil long, dur ou ras, c’est le chien petit mais costaud par excellence. Intelligent et volontaire, le teckel a conquis le monde à grand renfort de regards de biche et de petites pattes trottinant sur le bitume. Réputé pour ses aptitudes à la chasse, cet ancien favori des familles royales européennes, qui existe en trois tailles et neuf races, remplit aujourd’hui de multiples fonctions. Strolchi, un teckel nain allemand, détecte ainsi avec un instinct sûr les infestations de vers à bois dans les monastères, églises ou bibliothèques. Interrogeant les fans de la "saucisse sur pattes" – dont ont fait partie Napoléon, Picasso et Brigitte Bardot – et suivant la croissance d’une portée de six chiots, ce documentaire amoureux et amusé décline les qualités de ce toutou iconique : flair, courage et loyauté.
⭐ 6.5Johan Falk: The Outlaws
Johan is a two-fisted Gothenburg cop who finds himself in a shoot-out with jewel robbers. After the smoke has cleared, one robber, shot by his accomplice, and an innocent bystander, are dead. Three witnesses, including Helen, identify thug extraordinaire Leo Gaut as being the dead crook's trigger-happy colleague. Gaut soon threatens the three witnesses, and only Johan, the badge-wearing hero, can save them.
⭐ 10.0When New Year Comes on Shabbat
A cinematic collage about people caught between two worlds. An empathetic look at a physical journey and the melodramas of a journey that is spiritual. Nikita Pavlov emigrated from Russia to Israel because he always wanted to experience life in another country. Street protests, political activism, and his daughters first steps are captured without any chronological context, separated only by Pavlovs thoughts and ideas. A cinematic diary that attempts to piece together a hypothetical picture of the filmmakers future.
⭐ 10.0LEWISTON
The movie arose out of our sparetime as teenagers with fresh driver’s licenses and cobbled-together camera gear, wandering around a tired and honestly pretty grim post-industrial mill community, reinforced with after-hours access to the darkroom at the Sun Journal (where Aaron’s dad was the visuals editor), and some half-formed education in the techniques of Robert Frank, Frederick Wiseman, Dogme 95, Italian neorealism, pre-Obama Shepard Fairey, plus whatever culture pushed its way through the creaky pipes of low-bandwidth dial-up internet, or was smuggled up the actual superhighway of I-95 from Boston and eventually New York, or mailed first class via United States Postal Service from a burgeoning Netflix in those classic matte red envelopes, as valuable and rare as cash sent from China. [...] Somehow we negotiated access to a Canon XL1 3-CCD MiniDV camera and shotgun mic from the local public access station, in exchange for taping the high school graduation we didn’t participate in.
⭐ 9.5Skin of a Mandarin
The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.