一眉归来
Distribution
Dong Shaohui
Yang Neng
Films recommandés
⭐ 5.5Le retour des Envahisseurs Invisibles
Poux, punaises, puces, acariens, moustiques, tiques, mites, morpions dont nous avons cru, un moment, être débarrassés profilèrent à nouveau. Les punaises envahissent les centres villes, les poux se portent comme des charmes, les tiques pullulent. Comment expliquer le retour inattendu de ces suceurs de sang ? Les scientifiques montrent du doigt le réchauffement climatique, nos habitations trop bien isolées, nos changements de mode de vie, mais aussi les mutations génétiques de ces envahisseurs. De nombreuses recherches sont lancées et certains chercheurs n’hésitent pas à payer de leur personne.
⭐ 7.0Alcool au féminin, elles brisent le tabou
"Pour une femme alcoolique, c'est deux fois plus dur que pour un homme... on ne nous le pardonne pas". Ces mots sont ceux de la comédienne Fiona Gélin. Ils disent tout à la fois : l'enjeu et l'urgence de lever le voile sur cette maladie qu'est l'alcoolisme, et sur cette honte, si injuste, qui l'accompagne quand elle touche les femmes. En France, elles seraient entre 500 000 et 1,5 millions de femmes à être dépendantes à l'alcool. Les chiffres sont extrêmement approximatifs tant la culpabilité impose le silence. Ce silence, des femmes courageuses ont accepté de le briser pour se confier à Marina Carrère d'Encausse. Qu'elles soient célèbres, comme Muriel Robin, Fiona Gélin, Noémie Lvovsky, ou inconnues du grand public comme Sylvie, Marianne, Anaïs ou Laurence, elles racontent leur descente aux enfers et leur rédemption.
Smash TV - Skinemax
Date inconnueSkinemax is Koyaanisqatsi for a generation raised on late night television and B-movie VHS tapes. It's long form entertainment for short attention spans. An hour long VJ odyssey, it will move your body and warp your mind. A nostalgic look back at a half remembered childhood growing up in the 80s and early 90s, Skinemax takes a close look at the culture of that era. The images that motivated, delighted, and terrified us on the silver screen, set to propulsive modern music that pines for a simpler time.
⭐ 6.2Confidence
The animals on Oswald the Rabbit's farm couldn't be happier with their work. The hens, in particular, enjoy their jobs as egg producers. True, a hen gets a bit anxious when her egg is too small or when she can't lay anything. But on the whole, times are good. That changes when a specter by the name of Depression rises from the dump and travels the globe spreading fear and panic. The Great Depression has begun and has poisoned the entire country, including Oswald's farm. Now, the roosters are listless and the chickens flop around in a daze. Oswald runs to the doctor for help. But Dr. Pill points to a poster of the President, Franklin Delano Roosevelt. "There's your doctor!" he declares. Soon, Oswald is in the White House, knocking down the Vice President in his haste to see FDR. Roosevelt sings "Confidence" and gives the rabbit a generous supply.
⭐ 5.0The Peasants
A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.
⭐ 3.7En vacances
During a family reunion in 2000, guests decide to read out laud their "Where I See Myself in 10 Years" wish lists which they wrote down during their 1990 family reunion.
SADA
Sada, meaning «echo» in Arabic, was conceived as Sada for Iraqi art by the Baghdad-born Rijin Sahakian. Sahakian set up the initiative, which ran from 2011 to 2015, in order to support Baghdad-based artists facing the damage done to the contemporary art infrastructure in Iraq after cycles of war, destruction, sanctions, and continual political insecurity. For «documenta fifteen», Sahakian invited former participants of Sada to produce video work reflecting on their practice and where they are today. The participating artists are Sajjad Abbas, Bassim Al Shaker, Layth Kareem, Ali Eyal, Raed Mutar, Sarah Munaf, and Sahakian herself. This almanac is a valuable historical document about a country destroyed by a bloody war.
Raiden
Raiden is a 1928 black and white Japanese silent film with benshi accompaniment directed by Shozo Makino and Sadatsugu Matsuda. It is a posthumous work by Makino and is the last film starring his son, Masahiro Makino, in his first role in a comedy film.